Art, Nature, Power

S. Smith
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Abstract

This final chapter demonstrates the importance of contextualizing epigrams into the sociohistorical circumstances of their era if we want to achieve a deeper comprehension of the transformations that various motifs undergo through space and time. The chapter analyses a cluster of epigrams on imperial gardens that date from the first to the seventh century CE, and shows how these poems reflect diverse views about imperial power, aesthetics, pagan culture, and Christianity. The chapter discusses first an epigram from the Neronian era, then moves forward to late antiquity to consider a sequence of garden epigrams from the age of the Emperor Justinian (sixth century CE). The chapter concludes with an explicitly Christian garden epigram from the reign of the Emperor Heraclius (seventh century CE).
艺术,自然,力量
如果我们想要更深入地理解各种主题在空间和时间上经历的转变,最后一章展示了将警句置于其时代的社会历史环境中的重要性。这一章分析了一组公元一世纪到七世纪关于皇家花园的警句,并展示了这些诗如何反映了对皇权、美学、异教文化和基督教的不同看法。这一章首先讨论了尼禄时代的一句警句,然后向前推进到古代晚期,考虑了查士丁尼皇帝(公元六世纪)时代的一系列花园警句。本章以赫拉克利乌斯皇帝(公元7世纪)统治时期的一句明确的基督教花园警句结束。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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