Reflections on Eight Years of Instrument Creation with Machine Learning

R. Fiebrink, Laetitia Sonami
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引用次数: 17

Abstract

Machine learning (ML) has been used to create mappings for digital musical instruments for over twenty-five years, and numerous ML toolkits have been developed for the NIME community. However, little published work has studied how ML has been used in sustained instrument building and performance practices. This paper examines the experiences of instrument builder and performer Laetitia Sonami, who has been using ML to build and refine her Spring Spyre instrument since 2012. Using Sonami’s current practice as a case study, this paper explores the utility, opportunities, and challenges involved in using ML in practice over many years. This paper also reports the perspective of Rebecca Fiebrink, the creator of the Wekinator ML tool used by Sonami, revealing how her work with Sonami has led to changes to the software and to her teaching. This paper thus contributes a deeper understanding of the value of ML for NIME practitioners, and it can inform design considerations for future ML toolkits as well as NIME pedagogy. Further, it provides new perspectives on familiar NIME conversations about mapping strategies, expressivity, and control, informed by a dedicated practice over many years.
八年来用机器学习创造仪器的思考
机器学习(ML)已经被用于创建数字乐器的映射超过25年,并且已经为NIME社区开发了许多ML工具包。然而,很少有发表的工作研究机器学习如何在持续的乐器制造和性能实践中使用。本文考察了仪器制造商和表演者Laetitia Sonami的经验,她自2012年以来一直使用ML来构建和完善她的Spring Spyre仪器。本文以Sonami当前的实践为例,探讨了多年来在实践中使用ML所涉及的效用、机遇和挑战。本文还报道了Rebecca Fiebrink (Sonami使用的Wekinator ML工具的创建者)的观点,揭示了她与Sonami的合作如何导致软件和教学的变化。因此,本文有助于更深入地理解ML对NIME从业者的价值,并且可以为未来ML工具包和NIME教学法的设计考虑提供信息。此外,它还提供了关于映射策略、表达性和控制的熟悉的NIME对话的新视角,这些都是由多年的专门实践提供的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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