Asking for a ‘Water Calabash’: Metaphor and Gender in ‘Patlo’ Marriage Ceremonies in Botswan

S. Ellece
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引用次数: 3

Abstract

This paper explores the use of metaphors in the Patlo (the seeking of a woman’s hand in marriage) in traditional Setswana marriage ceremonies. Following up on Schapera’s (1940 and later) work on the culture of Bakgatla ba-ga- Kgafela in particular, this paper develops this idea (from a linguistics perspective) and examines the use of metaphor in Patlo ceremonies (marriage negotiation) in traditional Tswana weddings and how such metaphors construct gendered subject positions for the brides and grooms. The paper uses Critical Discourse Analysis, as an overarching framework, and specifically identifies gendered discourses and their linguistic manifestations in the ‘Patlo’ ceremonies. The data consists of three wedding ceremonies transcribed into a corpus of 10 thousand words. The paper argues that the ‘Patlo’ ceremony, through metaphor, proffers differential subject positions for brides and grooms, and constructs them as belonging to separate social spheres, and emphasizes female domesticity whereby new brides are constructed variously as nurturers, nurses, cooks and drawers of water. Keywords: metaphor, gender, marriage, Tswana
要一个“水葫芦”:博茨瓦纳“帕特洛”婚礼中的隐喻和性别
本文探讨了在传统的茨瓦纳婚姻仪式中,“帕特洛”(在婚姻中寻求女人的手)隐喻的使用。继Schapera(1940年及之后)对Bakgatla ba-ga- Kgafela文化的研究之后,本文(从语言学的角度)发展了这一观点,并研究了传统茨瓦纳婚礼中Patlo仪式(婚姻谈判)中隐喻的使用,以及这些隐喻如何为新娘和新郎构建性别主体地位。本文使用批判性话语分析作为总体框架,并具体识别性别话语及其在“帕特洛”仪式中的语言表现。数据包括三个婚礼仪式转录成一个10000字的语料库。本文认为,“Patlo”仪式通过隐喻为新娘和新郎提供了不同的主体地位,并将他们构建为属于不同的社会领域,并强调女性家庭生活,其中新娘被构建为养育者,护士,厨师和挑水者。关键词:隐喻,性别,婚姻,茨瓦纳
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