The Provenance of Selected Sets of Wardrobe in the Costumes Collections of the Cultural Center of the Philippines and GMA Network, Inc.

Elijah John F. Dar Juan
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Abstract

Costumes play a significant role in theatrical and television practice as age, gender, socioeconomic status, occupation, and the setting and climate are shown through them. This paper will enumerate some of the productions in which the costumes are included in the collections of two organizations: the Cultural Center of the Philippines, a government arts agency for the performing arts, and GMA Network, Inc., a media conglomerate that is chiefly in the business of producing and airing television programs. Information on the production plot and setting, key players such as directors, actors, production designers, and costume designers, and general descriptions of costumes are presented in this narrative survey. This work serves as a preliminary attempt to trace the provenance of costume sets in the collection of CCP and GMA Network. It may also awaken the need to document costumes as part of institutional collections.
菲律宾文化中心及GMA网络有限公司服饰收藏中精选套装的出处
服装在戏剧和电视实践中扮演着重要的角色,因为年龄、性别、社会经济地位、职业、环境和气候都是通过它们来表现的。本文将列举一些服装被两个组织收藏的作品:菲律宾文化中心(一个负责表演艺术的政府艺术机构)和GMA网络公司(一个主要从事制作和播放电视节目的媒体集团)。关于制作情节和设置的信息,主要参与者,如导演,演员,制作设计师和服装设计师,以及服装的一般描述都呈现在这个叙述调查中。本工作是对CCP和GMA网络收藏的服装套装溯源的初步尝试。它也可能唤醒人们将服装作为机构收藏的一部分进行记录的需求。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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