{"title":"The Hangman at Home: VR","authors":"Michelle Kranot, Uri Kranot","doi":"10.1145/3446367.3452333","DOIUrl":null,"url":null,"abstract":"Inspired by the iconic Carl Sandburg poem (1922), this piece explores themes of acknowledgement and participation. It is not about hanging people, but about the awkward intimacy that comes with being human, and the connection between spectator, witness, and accomplice.","PeriodicalId":222124,"journal":{"name":"ACM SIGGRAPH 2021 VR Theater","volume":"5 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-08-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"ACM SIGGRAPH 2021 VR Theater","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1145/3446367.3452333","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 1
Abstract
Inspired by the iconic Carl Sandburg poem (1922), this piece explores themes of acknowledgement and participation. It is not about hanging people, but about the awkward intimacy that comes with being human, and the connection between spectator, witness, and accomplice.