Social Practice as Arts-based Methodology: Exploring Participation, Multiplicity, and Collective Action as Elements of Inquiry

Lynn Sanders-Bustle
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引用次数: 3

Abstract

Claims that the arts are a kind of research is nothing new, finding relevance for scholars in the social sciences and the arts (Barone & Eisner, 2011; Cahnmann Taylor & Siegesmund, 2018; Leavy, 2019, 2009; Sullivan, 2005). Given that art is continuously being reimagined, it follows that arts-based research takes into account contemporary artistic processes and materials and the theories, aesthetic philosophies and contexts that shape them. In this paper, this author considers socially engaged art in the context of arts-based research and raises the question, what can be learned from social practice as an arts-based methodology?  The work of three socially engaged artists are referenced to demonstrate how distinct qualities associated with social practice, such as shared participation, multiplicity, and collective action offer new considerations for arts-based research that aims to bring about social change.
作为艺术基础方法论的社会实践:探索作为探究要素的参与、多样性和集体行动
声称艺术是一种研究并不是什么新鲜事,这与社会科学和艺术的学者们息息相关(Barone & Eisner, 2011;Cahnmann Taylor & Siegesmund, 2018;利维,2019,2009;沙利文,2005)。鉴于艺术不断被重新想象,因此,以艺术为基础的研究要考虑到当代艺术的过程和材料,以及塑造它们的理论、美学哲学和背景。在本文中,作者将社会参与艺术置于艺术本位研究的背景下,并提出了这样一个问题:作为一种艺术本位的方法论,我们可以从社会实践中学到什么?本文引用了三位社会参与艺术家的作品,展示了与社会实践相关的独特品质,如共享参与、多样性和集体行动,为旨在带来社会变革的艺术研究提供了新的思考。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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