КУЛТУРА СВАКОДНЕВНИЦЕ: РЕПРЕЗЕНТАЦИЈЕ ДРУШТВЕНЕ СТВАРНОСТИ У ДУБРОВАЧКОЈ КОМЕДИЈИ ЈЕРКО ШКРИПАЛО

Христина Аксентијевић
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Abstract

The paper investigates the ways of literary modeling of Dubrovnik cultural patterns in the anonymous play Jerko Škripalo, with the aim of illuminating representations (interpreted in the key of theoretical concepts of contemporary cultural studies) of Dubrovnik social reality, ie elements of intangible and material culture. Analyzing the reflexes of everyday life of Dubrovnik society in the 17th century in the literary world of this play, as well as the oscillation between genre and reality in character formation, points to the spectrum of reality and fiction in the artistic pattern of Dubrovnik anonymous comedies, and their cultural significance in the broader context of Dubrovnik Baroque literature.
本文探讨了匿名戏剧《耶尔科Škripalo》中杜布罗夫尼克文化模式的文学造型方式,旨在阐明杜布罗夫尼克社会现实的表征(以当代文化研究的理论概念为核心进行解释),即非物质文化和物质文化的要素。通过分析17世纪杜布罗夫尼克社会日常生活在这部戏剧的文学世界中的反映,以及人物塑造中类型与现实之间的摇摆,指出了杜布罗夫尼克匿名喜剧艺术模式中的现实与虚构的光谱,以及它们在杜布罗夫尼克巴洛克文学的更广泛语境中的文化意义。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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