Models of Leadership

T. Brown
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Abstract

This chapter situates monuments to Union and Confederate leaders within longstanding traditions in art history. Early tributes to Civil War commanders extended antebellum efforts to develop democratic variations on the equestrian statue, a form associated with imperial sovereigns. Monuments to orators illustrated the fading of the lyceum oratory that had shaped public culture during the Civil War era and the increasing emphasis on military commanders as exemplars of leadership. The equestrian statues that proliferated in the late nineteenth and early twentieth century offered allegories of public authority, gradually shifting from popular election of leaders to rank-and-file submission to review by captains of industry. Some monuments explored the possibilities of charismatic democratic leadership, but the prevailing models illustrated the growing influence of professionalization in art as well as in government. The US Army was an important site of professionalization, and the equestrian statue most informed by current military thinking celebrated the establishment of the army general staff as a landmark in American bureaucracy.
领导模式
本章将联邦和邦联领导人的纪念碑置于艺术史悠久的传统之中。早期对内战指挥官的致敬延伸了战前的努力,发展了骑马雕像的民主变体,这是一种与帝国主权有关的形式。这些演说家的纪念碑表明,在南北战争时期塑造了公共文化的学堂演讲正在逐渐消失,人们越来越强调军事指挥官是领导能力的典范。在19世纪末和20世纪初大量涌现的马术雕像提供了公共权力的寓言,逐渐从民众选举领导人转变为普通民众提交,再到工业巨头的审查。一些纪念碑探索了有魅力的民主领导的可能性,但流行的模式表明,在艺术和政府中,专业化的影响越来越大。美国陆军是一个重要的职业化场所,而最受当前军事思想影响的马术雕像庆祝了陆军总参谋部的建立,成为美国官僚主义的一个里程碑。
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