“It’s always nice to head for home”: Music-Making, Sense of Place, and Corkonian Identity in the Rory Gallagher Irish Tour ’74 Documentary

L. O’Hagan
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引用次数: 1

Abstract

This paper builds upon the work of Hogan (2016, 2021) by casting a historical lens on the importance of emotional connectivity to place in Cork through a case study of the city’s most famous musician: the blues/rock guitarist Rory Gallagher. Specifically, it investigates how sense of place and Corkonian values are narratively produced and depicted in the Irish Tour ’74 documentary. It argues that the documentary portrays County Cork as a close-knit place with a deep sense of community and Gallagher as the physical representation of these values. Analysis of specific scenes also highlights the significance of localist expressions of identity and localised forms of prestige for Gallagher, as well as the way in which his songs can be renarrativised to create new meanings that either accentuate his yearning for home or promote a form of hybridised parochialism that centres around Belfast as his 'second home'.
“回家总是很好”:音乐制作、地方感和科尔科尼亚身份在Rory Gallagher爱尔兰之旅' 74纪录片
本文以Hogan(2016年,2021年)的作品为基础,通过对该市最著名的音乐家:布鲁斯/摇滚吉他手Rory Gallagher的案例研究,从历史的角度审视情感联系在科克的重要性。具体来说,它调查了地方感和科克尼亚价值观是如何在爱尔兰之旅' 74纪录片中叙事地产生和描绘的。它认为,纪录片将科克郡描绘成一个有着深厚社区意识的紧密联系的地方,而加拉格尔则是这些价值观的实际代表。对具体场景的分析也强调了Gallagher身份的地方主义表达和当地形式的声望的重要性,以及他的歌曲可以重新叙述的方式,以创造新的意义,要么强调他对家乡的渴望,要么促进以贝尔法斯特为中心的混合狭隘主义,作为他的“第二故乡”。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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