THE POETICS OF SENTIMENTALISM IN THE WORK OF M.M. ZOSHCHENKO

Bao Tingting
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Abstract

. “Sentimental Tales” is a book about the struggle of a “little man” for existence during the NEP period. The prose demonstrates a “mosaic of quotations” in which classical tradition is clearly discernible, specifically, the artistic intertextuality of sentimentalism is particularly strong. The author uses the method of intertextual analysis to study how Zoshchenko transforms the tradition of sentimental literature and what functions the intertexts perform. Following the study he concludes that “Sentimental tales” as a whole is a variation on the theme of sentimentalism. Elements of idyll became a means of philosophical comprehension of human existence at the turn of time for the writer. Zoshchenko transforms the motive and plot reminiscences from sentimentalism, and puts them in his time in order to demonstrate a hard distinction between the old and new eras. Through the titles of the stories there runs author’s sentimentalism as well as his empathy and compassion for the characters of his works. Besides the theme of the destruction of idyll have a kind of connotation of anti-utopia manifested in two directions – the correlation between “Personality and Society” and “Technology and Art”.
左先科作品中的感伤主义诗学
. 《感伤的故事》是一本关于新经济政策时期一个“小人物”为生存而奋斗的书。散文表现出一种古典传统清晰可辨的“镶嵌语录”,特别是感伤主义的艺术互文性尤为强烈。作者运用互文分析的方法,探讨了佐先科对感伤文学传统的改造,以及互文所起的作用。根据这项研究,他得出结论,“感伤故事”作为一个整体是感伤主义主题的变体。田园诗的元素成为作家对人类生存的一种哲学理解手段。佐先科将动机和情节的回忆从感伤主义中转变出来,并把它们放在他的时代,以展示新旧时代之间的明显区别。通过故事的标题,可以看出作者的多愁善感,以及他对作品中人物的同情和同情。此外,诗情画意的破坏主题还有一种反乌托邦的内涵,主要表现在“人格与社会”和“技术与艺术”的关联两个方向上。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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