Wie man Hölderlin in einer Ausstellung lesen kann

Heike Gfrereis
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引用次数: 0

Abstract

Abstract:With over 150 exhibits and various installations, the exhibition "Hölderlin, Celan and the Languages of Poetry" at the Museum of Modern Literature of the Deutsches Literaturarchiv Marbach shows different ways of reading Hölderlin: close reading; distant reading and scalable reading; hermeneutic and formalist-structuralist, text-genetic, production- and material-aesthetic reading; as well as reception-historical oriented reading. In addition, the exhibition investigates the reading of Hölderlin's poems with the help of its visitors by means of empirical reading research—i.e., reading Hölderlin in the archive and in the laboratory. These Hölderlin readings are presented in this article, related to literary-scientific and cognitive-psychological dimensions, and questioned with regard to the particularities of the genre "literature exhibition"—i.e., which forms of reading and the aesthetic experience of literature are at all possible in a literature exhibition and which are characteristic for it?
怎样在展览中读赫德林的书
摘要:在德国马尔巴赫文学档案馆现代文学博物馆举办的“Hölderlin,策兰与诗歌语言”展览,通过150多件展品和各种装置,展示了不同的阅读方式Hölderlin:细读;远距离阅读和可扩展阅读;解释学和形式主义-结构主义、文本遗传、生产美学和材料美学阅读;以及接受历史导向的阅读。此外,展览亦以实证阅读研究的方式,在参观者的协助下,探讨Hölderlin诗歌的阅读。,在档案馆和实验室阅读Hölderlin。本文介绍了这些Hölderlin阅读材料,涉及文学科学和认知心理学维度,并对“文学展览”这一类型的特殊性提出了质疑。在文学展览中,哪些阅读形式和文学审美体验是可能的,哪些是文学展览的特色?
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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