{"title":"An Inauguration for Etigelov","authors":"J. Quijada","doi":"10.1093/OSO/9780190916794.003.0002","DOIUrl":null,"url":null,"abstract":"This chapter describes the inauguration of a Buddhist monument (stupa) in honor of Dashi-Dorzho Etigelov, a pre-revolutionary Buddhist leader who has returned in the post-Soviet period as a miraculously preserved body. This ritual allows us to see how three different historical genres coexist in the same context, thereby illustrating the larger argument of the book. These genres are a Buddhist institutional genre produced by the Buddhist Sangha, a local shamanic genre that focuses on state violence and draws on shamanic ideas about place spirits, and a Soviet genre that tells the history of the same village as a collective farm. This chapter presents an example of how multiple historical genres coexist and how people code-switch between them, depending on the context in which “us” is invoked.","PeriodicalId":246283,"journal":{"name":"Buddhists, Shamans, and Soviets","volume":"40 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-03-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Buddhists, Shamans, and Soviets","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/OSO/9780190916794.003.0002","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
This chapter describes the inauguration of a Buddhist monument (stupa) in honor of Dashi-Dorzho Etigelov, a pre-revolutionary Buddhist leader who has returned in the post-Soviet period as a miraculously preserved body. This ritual allows us to see how three different historical genres coexist in the same context, thereby illustrating the larger argument of the book. These genres are a Buddhist institutional genre produced by the Buddhist Sangha, a local shamanic genre that focuses on state violence and draws on shamanic ideas about place spirits, and a Soviet genre that tells the history of the same village as a collective farm. This chapter presents an example of how multiple historical genres coexist and how people code-switch between them, depending on the context in which “us” is invoked.