The Plight of Not Belonging: Jean Rhys’s “Let Them Call It Jazz” and “The Day They Burned the Books”

Carmen Laguarta Bueno
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引用次数: 1

Abstract

This paper offers an analysis of the short stories “Let Them Call It Jazz” (1962) and “The Day They Burned the Books” (1960), set in London and in the Caribbean respectively, with the aim to demonstrate that, no matter their origin, Rhys’s protagonists are often confronted with a feeling of non-belonging that sometimes makes them fluid, unstable beings. Furthermore, it aims to demonstrate that, although in some of her writings Rhys seemed to be very critical of the attitude of the colonizers and to align herself with the colonized Others instead, her attitude towards the empire can also be very ambivalent at some points. Ultimately, the analysis of these two short stories suggests that the ambivalence present in Rhys’s works could be a direct consequence of her peculiar positioning as somebody in between two different cultures, and, consequently, uncovers to what extent the process of colonization affected those involved in it.    
不属于自己的困境:吉恩·里斯的《让他们称之为爵士乐》和《他们烧书的那一天》
本文对短篇小说《让他们称之为爵士乐》(Let Them Call It Jazz, 1962)和《他们烧书的那一天》(the Day They burn the Books, 1960)进行了分析,分别以伦敦和加勒比海为背景,目的是为了证明,无论他们来自哪里,里斯的主人公经常面临一种不属于他们的感觉,这种感觉有时会使他们变得流动、不稳定。此外,它旨在证明,尽管在她的一些作品中,里斯似乎对殖民者的态度非常批评,并与被殖民的他者站在一起,但她对帝国的态度在某些方面也可能是非常矛盾的。最后,对这两个短篇小说的分析表明,里斯作品中出现的矛盾心理可能是她作为两种不同文化之间的人的特殊定位的直接结果,因此,揭示了殖民化过程在多大程度上影响了参与其中的人。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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