Daniel Heller-Roazen, Absentees: On Variously Missing Persons, Princeton University Press, Princeton, 2021, 320 pages, hardback, ISBN 9781942130475, £28.00.

Archie Squire
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Abstract

Daniel Heller-Roazen’s recent work, Absentees (2021), gathers literary figurations of the absent(ed) or missing to consider the personhood of ‘nonpersons’ from antiquity to the present. With reference to contemporary analogies of virtuality, this critical review highlights the ghosts – or absences – in Heller-Roazen’s book, and proposes the discipline of art history as its spectral afterimage.
丹尼尔·海勒-罗森,《失踪者:各种失踪人员》,普林斯顿大学出版社,普林斯顿,2021年,320页,精装本,ISBN 9781942130475, 28.00英镑。
丹尼尔·海勒-罗森(Daniel Heller-Roazen)最近的作品《缺席者》(2021)收集了缺席者(ed)或失踪者的文学形象,以思考从古代到现在的“非人物”的人格。参考当代虚拟的类比,这篇批判性的评论强调了Heller-Roazen书中的幽灵或缺席,并提出艺术史学科作为其光谱后像。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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