Tinjauan Kreativitas Agus Tasman Ranaatmadja Dalam Tari Bedhaya Si Kaduk Manis

Maharani Luthvinda Dewi
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Abstract

This paper aims to determine the creativity of Agus Tasman Ranaatmadja, a dance master, in formulating a dance work by analyzing his artistic creations textually. The study was conducted qualitatively by borrowing Sumandiyo Hadi's idea on textual analysis of dance. The results of the study show that the dance "Bedhaya Si Kaduk Manis" has an asymmetrical gawang development and a dancer's level pattern play. “Tari Bedhaya Si Kaduk Manis” is constructed using the creator's version of the work method and is presented with a single cone serving plot. The final entity "Bedhaya Si Kaduk Manis Dance" has a significant difference from the bedhaya dance in general, but still has the taste and principle of bedhaya dance.
本文旨在通过对舞蹈大师Agus Tasman Ranaatmadja艺术创作的文本分析,来确定他在舞蹈作品创作中的创造性。本研究借鉴了哈迪关于舞蹈文本分析的思想进行定性研究。研究结果表明,舞蹈“Bedhaya Si Kaduk Manis”具有不对称的gawang发展和舞者的水平模式发挥。“Tari Bedhaya Si Kaduk Manis”是使用创作者版本的工作方法构建的,并呈现为单个锥体服务情节。最后的实体“Bedhaya Si Kaduk Manis Dance”与一般的Bedhaya舞蹈有明显的区别,但仍然具有Bedhaya舞蹈的味道和原则。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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