“Indeed, the King has a Cunt! What a Wonder!”: Sex, Eroticism and Language in One Thousand and One Nights

Md Abu Shahid Abdullah
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Abstract

One Thousand and One Nights, which can be traced back to as early as the 9th century, is probably the greatest introduction to Arabic culture through literature. This colossal and diverse book has drawn the attention of scholars, researchers and students to classic Arabic literature as well as influenced many prominent authors and filmmakers. It is not just a book of careless and unconnected stories but rather a piece of esteemed literature which has been read and analysed in many countries all over the world. However, it is also true that this book has been criticised for its sexual promiscuity and degraded portrayal of women. The aim of the presentation is to prove that underneath the clumsy and seemingly funny structures of One Thousand and One Nights, there is a description of overflowing sexuality. Through the sexualised or erotic description of female bodies, the book gives agency to women but at the same time depicts them derogatively, and thus fulfils the naked desire of the then patriarchal society. The presentation will highlight how sexual promiscuity or fathomless female sexual craving is portrayed through figurative and grammatical language, which objectifies the female characters but at the same time enables them to be playful with the male characters, and thus motivates them to become more powerful than the males. Finally. the presentation will focus on language or narrative as an act of survival from the perspectives of the female characters, which is most evident in the case of Scheherazade who saved not only her life but also lives of countless maidens by her mesmerizing storytelling talent.
“真的,国王有一个女人!”真是个奇迹!:《一千零一夜》中的性、情色与语言
最早可追溯到9世纪的《一千零一夜》可能是通过文学介绍阿拉伯文化的最伟大作品。这本内容丰富的巨著引起了学者、研究人员和学生对经典阿拉伯文学的关注,也影响了许多著名作家和电影制作人。它不仅仅是一本粗枝大节、互不相关的故事,而是一本在世界上许多国家被阅读和分析的受人尊敬的文学作品。然而,这本书也因其滥交和对女性的堕落描写而受到批评。这次展示的目的是为了证明,在《一千零一夜》笨拙而看似滑稽的结构之下,有一种对溢出性的描述。通过对女性身体的性化或情欲化的描写,书中赋予了女性代理权,但同时又对女性进行了贬损性的描写,从而满足了当时男权社会赤裸裸的欲望。通过比喻性和语法性的语言,将女性角色物化,但同时又能与男性角色嬉戏,使男性角色变得比男性更强大。最后。演讲将从女性角色的角度聚焦于语言或叙事作为一种生存行为,这在谢赫拉扎德的例子中最为明显,她不仅拯救了自己的生命,还以她迷人的讲故事的才能拯救了无数少女的生命。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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