Development for Multisensor and Virtual Simulator-Based Automatic Broadcast Shooting System

Wonjun Lee, Hyung-Jun Lim, M. Kim
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Abstract

To solve the limitations of complexity and repeatability of existing broadcast filming systems, a new broadcast filming system was developed. In particular, for Korean music broadcasts, the shooting sequence is stage and lighting installation, rehearsal, lighting effect production, and main shooting; however, this sequence is complex and involves multiple people. We developed an automatic shooting system that can produce the same effect as the sequence with a minimum number of people as the era of un-tact has emerged because of COVID-19. The developed system comprises a simulator. After developing a stage using the simulator, during rehearsal, dancers’ movements are acquired using UWB and two-dimensional (2D) LiDAR sensors. By inserting acquired movement data in the developed stage, a camera effect is produced using a virtual camera installed in the developed simulator. The camera effect comprises pan, tilt, and zoom, and a camera director creates lightning effects while evaluating the movements of virtual dancers on the virtual stage. In this study, four cameras were used, three of which were used for camera pan, tilt, and zoom control, and the fourth was used as a fixed camera for a full shot. Video shooting is performed according to the pan, tilt, and zoom values ​​of the three cameras and switcher data. Only the video of dancers recorded during rehearsal and that produced by the lighting director via the existing broadcast filming process is overlapped in the developed simulator to assess lighting effects. The lighting director assesses the overlapping video and then corrects parts that require to be corrected or emphasized. The abovementioned method produced better lighting effects optimized for music and choreography compared to existing lighting effect production methods. Finally, the performance and lighting effects of the developed simulator and system were confirmed by shooting using K-pop using the pan, tilt, and zoom control plan, switcher sequence, and lighting effects of the selected camera.
基于多传感器和虚拟模拟器的广播自动拍摄系统的开发
为解决现有录影系统复杂性和可重复性的局限性,研制了一种新型录影系统。特别是韩国音乐广播的拍摄顺序是舞台灯光设置、排练、灯光效果制作、主拍摄;然而,这个序列是复杂的,涉及到很多人。由于新冠肺炎疫情,进入了“不接触时代”,我们开发了可以用最少的人员就能产生与镜头相同效果的自动拍摄系统。所开发的系统包括一个模拟器。在使用模拟器开发舞台后,在排练期间,使用超宽带和二维(2D)激光雷达传感器获取舞者的动作。通过将采集到的运动数据插入开发阶段,利用安装在开发模拟器中的虚拟摄像机产生相机效果。摄像机效果包括平移、倾斜和变焦,摄像机导演在评估虚拟舞台上虚拟舞者的动作时创造闪电效果。在本研究中,使用了4台摄像机,其中3台用于相机平移、倾斜和变焦控制,第4台作为固定摄像机进行全镜头拍摄。根据三台摄像机的平移、倾斜、缩放值和切换器数据进行视频拍摄。在开发的模拟器中,只有舞者在排练时录制的视频和灯光师通过现有的广播拍摄过程制作的视频重叠,以评估灯光效果。灯光指导评估重叠的视频,然后纠正需要纠正或强调的部分。与现有的灯光效果制作方法相比,上述方法产生了更好的针对音乐和舞蹈进行优化的灯光效果。最后,对所开发的模拟器和系统进行了K-pop拍摄,利用所选摄像机的平移、倾斜和变焦控制方案、切换顺序和灯光效果进行了性能和灯光效果的验证。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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