{"title":"Postexilic Poetic Traditions in the Writings","authors":"S. Gillingham","doi":"10.1093/OXFORDHB/9780190212438.013.29","DOIUrl":null,"url":null,"abstract":"This chapter examines six poetic books, under the headings of liturgical poetry (Psalms, Lamentations), dramatic poetry (Job, Song), and didactic poetry (Proverbs, Ecclesiastes). It assesses, first, the particular features of all biblical poetry, in terms of style and formal structures, and, second, the reasons for ascribing these six books as postexilic works. Each book is then discussed in detail. Particular attention is paid to their poetic style and structures, to their compilation as a whole, and to their reception history: the latter in particular testifies to an ongoing “performative” potential, whether for the synagogue, church, classroom, theatre, concert hall, or as a work of art. The chapter concludes that each book shares several poetic features in common, but what really unites them is their detachment from any single spatial or temporal setting, each being “timeless” as literature and so “universal” in use.","PeriodicalId":395748,"journal":{"name":"The Oxford Handbook of the Writings of the Hebrew Bible","volume":"237 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2018-11-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Oxford Handbook of the Writings of the Hebrew Bible","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/OXFORDHB/9780190212438.013.29","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
This chapter examines six poetic books, under the headings of liturgical poetry (Psalms, Lamentations), dramatic poetry (Job, Song), and didactic poetry (Proverbs, Ecclesiastes). It assesses, first, the particular features of all biblical poetry, in terms of style and formal structures, and, second, the reasons for ascribing these six books as postexilic works. Each book is then discussed in detail. Particular attention is paid to their poetic style and structures, to their compilation as a whole, and to their reception history: the latter in particular testifies to an ongoing “performative” potential, whether for the synagogue, church, classroom, theatre, concert hall, or as a work of art. The chapter concludes that each book shares several poetic features in common, but what really unites them is their detachment from any single spatial or temporal setting, each being “timeless” as literature and so “universal” in use.