Socrealizm od środka. Design, sztuka wnętrza i modernizacja

Aleksandra Sumorok
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引用次数: 1

Abstract

The article focuses on interior design from the first half of the 1950s. The interior spaces realized at that time in Poland elude unambiguous classifications, both in terms of formal and ideological aspects. I propose to look at the interiors from this time not in terms of style (difficult, complex, hybrid), but in a broader sense, as a political, socio-cultural phenomenon. The interiors were supposed to favor social modernization (assumed in the communist project), especially the idea of promotion and changing class habitus. They precisely modeled new forms of social life (cultural spaces), as well as family life, as they defined the way of eating, “being” (gastronomic interiors), spending free time and holidays. The leap into modernity was particularly noticeable in the architecture and interiors with which everyone interacted on a daily basis. Indicating the participation of interiors in the multifaceted modernization process can make us realize the complexity of the post-war reality, including the interior design from the first half of the 1950s, which was related to many spheres of social and cultural life.
这篇文章的重点是20世纪50年代上半叶的室内设计。当时在波兰实现的室内空间在形式和意识形态方面都没有明确的分类。我建议从更广泛的意义上看待这个时期的室内设计,而不是从风格(困难、复杂、混合)的角度来看,而是从政治、社会文化现象的角度来看。内部设计应该有利于社会现代化(假设在共产主义项目中),特别是提升和改变阶级习惯的想法。他们精确地模拟了社会生活的新形式(文化空间),以及家庭生活,因为他们定义了饮食的方式,“存在”(美食内部),度过空闲时间和假期。这种向现代化的飞跃在建筑和室内设计中尤为明显,每个人每天都与之互动。指出室内设计在多方面的现代化进程中的参与可以让我们意识到战后现实的复杂性,包括20世纪50年代上半叶的室内设计,它与社会和文化生活的许多领域有关。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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