Folclorul și valorile imaginației

Mihai Cimpoi
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引用次数: 0

Abstract

The author demonstrates in this approach that folklore, unlike cult literature, values the essential richness of the imaginary, being closer to the world, which Eminescu said he „ thought in fairy tales and spoke in poetry”. Folklore was must also conceived as literary art, the interference between it and cult literature was the aesthetic program of the German romantics, of the Romanian classics Eminescu, Alecsandri and Anton Pann, of the contemporary authors Brecht and Auden. Folklore works have the same principles of elaboration as cult literature, they being social and documentary documents, which capture essential moments of human relations with society and history. The author refers to the folklorist Sergiu Moraru, who studied especially the poetic system of the sung lyrical song, subjecting it to a structural and typological analysis.
作者用这种方法证明,民俗学不同于邪教文学,它重视想象的本质丰富性,更接近世界,埃米内斯库说他“在童话中思考,在诗歌中表达”。民间传说也必须被视为文学艺术,它与邪教文学之间的干扰是德国浪漫主义者的审美程序,罗马尼亚古典作家埃米内斯库,亚历山德里和安东·潘,当代作家布莱希特和奥登。民俗学作品具有与邪教文学相同的阐述原则,它们是社会文献和纪实文献,捕捉人类与社会和历史关系的重要时刻。作者引用了民俗学家Sergiu Moraru,他特别研究了抒情歌曲的诗歌系统,并对其进行了结构和类型分析。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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