Writing as Resistance: A Reading of Mohsin Hamid’s Select Novels

Rongina Narzary
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Abstract

Mohsin Hamid, one of the powerful voices to emerge from Pakistan engages with themes that go beyond the partition of India and Pakistan in 1947 and portrays contemporary issues relevant to Pakistan. In the process, Hamid consciously performs the role of the mediator and attempts to explain his country to the readers. In his two novels, Moth Smoke and The Reluctant Fundamentalist Hamid not only represents modern-day Pakistan but also offer resistance to the association of Pakistan with terrorism thereby replicating the postcolonial tendency to “write back” and reclaim one’s identity. Furthermore, he offers a nuanced understanding of the hostilities that prevail between India and Pakistan. Fictional representations of Islam and Muslim identities by writers of Pakistani origin have received increased attention, especially in the post 9/11 political climate with its attendant reductive representations of Islamic fundamentalism. The ‘war on terror’ which has had the effect of equating Islam and Muslims with terrorism has become a dominant political narrative in Europe and the US over the last decade. It is such diffused representation of Muslim identity which has evoked criticism in the ‘orient’ and Hamid shines bright in this regard.
作为反抗的写作:莫辛·哈米德小说选集解读
莫辛·哈米德(Mohsin Hamid)是巴基斯坦出现的有力声音之一,他的主题超越了1947年印度和巴基斯坦的分裂,并描绘了与巴基斯坦相关的当代问题。在这一过程中,哈米德有意识地扮演着调解人的角色,试图向读者解释自己的国家。哈米德在他的两部小说《飞蛾之烟》和《不情愿的原教旨主义者》中不仅代表了现代巴基斯坦,而且还抵制了巴基斯坦与恐怖主义的联系,从而复制了后殖民主义倾向,即“反击”,重新找回自己的身份。此外,他对印度和巴基斯坦之间普遍存在的敌对状态提供了细致入微的理解。巴基斯坦裔作家对伊斯兰教和穆斯林身份的虚构表现受到了越来越多的关注,特别是在9/11后的政治气候中,随之而来的是对伊斯兰原教旨主义的简化表现。在过去的十年里,“反恐战争”已经把伊斯兰教和穆斯林与恐怖主义等同起来,成为欧洲和美国的主要政治叙事。正是这种对穆斯林身份的分散表现引起了“东方”的批评,哈米德在这方面表现得很好。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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