Translating “l’esprit Canal” into comedy screenplays: Canal+’s role in the development of French comedy film trends

Isabelle Vanderschelden
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Abstract

This article retraces the trajectories of three selected groups of comedy actors, screenwriters, and directors discovered on Canal+ in the context of the evolution of the media group’s policies for comedy development practices for cinema. The article focuses on artists and television shows that served as platforms for entry into the cinema, including “Les Nuls,” “Les Robin des Bois,” Jamel Debbouze and Philippe Lacheau’s “La Bande à Fifi.”
将“灵魂运河”翻译成喜剧剧本:运河+在法国喜剧电影趋势发展中的作用
本文回顾了在媒体集团对电影喜剧发展实践的政策演变的背景下,在Canal+上发现的三组喜剧演员、编剧和导演的轨迹。这篇文章的重点是作为进入电影院平台的艺术家和电视节目,包括《零》、《树之罗宾》、贾梅尔·德布兹和菲利普·拉肖的《Bande Fifi》。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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