Ideological aspects of erotic capital and patriarchal power relations in the visual interpretations of Lola Astanova

Abstract

Lola Astanova is a professional Uzbek-American pianist who resorts to controversial performance practices in line with neo-globalist trends. Thus, her extravagant musico-visual "spectacles" are recognisable by an excessive emphasis on female sexuality and the absence of a highly aestheticised, contemplative piano sound. This paper aims to explore how the ideological and interpretive strategies of this un-conventional artist are imbued with the erotic capital and patriarchal power relations of the modern consumer society. A selection of publicly available performances by Astanova has been made, most of which are presented to the audience in the form of video clips. The focus is understandably on Astanova's interpretations of classical music, whose prosaic elements of eroticism and overdramatising musical narration are primarily, but not exclusively, intended for the ear of a patriarchally interpellated listener.