Floating Facts on a Sea of Emotion

William Dow
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Abstract

Richard Wright’s journalism has been largely unexamined by Wright scholars. He has never been studied as a literary journalist and rarely placed in an African American tradition of journalism. William Dow’s chapter focuses on works that best reveal Wright as a heretofore unrecognized literary journalist: 12 Million Black Voices (1940) and a selection of his exile writings: Black Power: A Record of Reactions in a Land of Pathos, (1954), The Color Curtain: A Report on the Bandung Conference (1956), and Pagan Spain (1957). It demonstrates the usefulness of literary journalistic forms to Wright as an African American writer and global humanitarian. This chapter also shows how Wright, while advancing his aesthetic aims, repurposed traditional journalism in order to promote a political solidarity with oppressed people around the world.
漂浮在情感海洋上的事实
理查德·赖特的新闻在很大程度上没有得到赖特学者的研究。他从来没有作为文学记者被研究过,也很少被放在非裔美国人的新闻传统中。威廉·道(William Dow)这一章的重点是最能揭示赖特作为一名迄今为止未被认可的文学记者的作品:《一千两百万黑人的声音》(1940),以及他的流亡作品选集:《黑人权力:悲情之地的反应记录》(1954),《彩色窗帘:万隆会议报告》(1956)和《异教西班牙》(1957)。它向赖特这位非裔美国作家和全球人道主义者展示了文学新闻形式的有用性。本章还展示了赖特在推进其美学目标的同时,如何重新定位传统新闻,以促进与世界各地受压迫人民的政治团结。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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