Orbs and Spiritual Experiences: In an orbital shape of mind

M. Steenhuisen
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Abstract

The orb phenomenon is commonly dismissed and neglected by academia on the one hand, while on the other, is well-known in popular paranormal media, where it has been explored by ghost-hunters, mediums and paranormal researchers. Since the mid-1990s, the mass usage of digital imaging has been the impetus that has confronted snapshot photographers with the phenomenon of orbs; this, coupled with the broad spectrum of interpretations of orbs, has polarised the mundane explicable and the paranormal elusive perspectives. One emerging group of interpretations that has been overlooked are accounts of spiritual experiences with orbs, prompting a forthcoming study on the research of these particular anomalous light experiences. Comparisons with other anomalous lights are found in folkloristic narratives, in miraculous religious photography, in paranormal popular ghost and haunting narratives, and in the discussion on the reliability of digital photography, which finds itself in a tradition of ambiguous environments: physical, paranormal and spiritual. This last is where orbs perhaps signify an aspect of how, in Evelyn Underhill’s words, ‘we are in constant correspondence with our spiritual environment’.
球和精神体验:在一个轨道形状的心灵
球体现象通常被学术界驳回和忽视,而另一方面,在流行的超自然媒体中,它已经被幽灵猎人,媒介和超自然研究人员所探索。自20世纪90年代中期以来,数字成像的大量使用推动了快照摄影师面对球体现象;这一点,再加上对球体的广泛解释,使世俗的可解释和超自然的难以捉摸的观点两极分化。有一组新兴的解释被忽视了,那就是对魔法球的精神体验的描述,这促使人们对这些特殊的异常光体验进行研究。与其他异常光线的比较可以在民俗叙事、神奇的宗教摄影、超自然的流行鬼魂和闹鬼叙事中找到,也可以在关于数字摄影可靠性的讨论中找到,数字摄影发现自己处于一个模糊环境的传统中:物理、超自然和精神。用伊芙琳·昂德希尔的话来说,最后一点可能是球体象征着“我们与我们的精神环境保持一致”的一个方面。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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