“’O sole mio” e l’habanera: napoletanità e cosmopolitismo nella prima era della popular music

Abstract

“’O sole mio” is considered the quintessential Neapolitan song, a widely popular musical icon of ‘Neapolitanness’. And yet, the song also raises questions about the nature of ‘Neapolitanness’ in music, as it is based on a habanera pattern, a rhythm originated in Cuba which became very popular in Europe in the late XIX century. The article reflects on how music could sound ‘Neapolitan’ (and thus ‘Italian’), and how these features are established, observing the case of “’O sole mio” from a cultural historical perspective.