Design values of the shape in Egyptian heritage arts between essence and function Experimental study

Abstract

: Reading and taking inspiration from heritage is a process based on a philosophical understanding of heritage. When a designer is fully aware of what they choose or exclude from heritage, a designer must answer the following questions: What kind of heritage do we deal with? What units, components or shapes do we choose? How do we address elements of heritage and inspire contemporary design? There is a difference between meditation leading to evolution and meditation leading to transport, simulation and imitation and heritage is a wide and complex formative field. Are we inspired by the formal concepts and patterns of heritage, or do we take the design values of the structure of the different formats, whether linear, geometric, simple, or composite in formations of overlap, overlap, abstraction, alteration, and simplification to produce different formations that are authentic and contemporary? Since the curriculum of the Faculty of Artistic Education in the material of decorative designs of the Second Division provides for interest in heritage, study and taste formally, the problem of current research on finding an innovative and different vision for addressing elements of heritage in order to reach decorative designs based on the inspiration of Egyptian heritage (Ancient Egyptian Art - Coptic Art - Islamic Art - Popular Art),