Aesthetics, emotions, culture and media

Divna Vuksanović
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Abstract

The text re-examines, in principle, the status of emotions in the contemporary aesthetic environment. When it comes to our aesthetic environment - we will talk about it from two mutually pervasive points of view: the first position is, at first glance, somewhat broader and concerns the sphere of culture in the aesthetic key, while the second builds on the previous and refers to the so-called. media culture. If today it is possible to separate these two plans of thinking about aesthetic experience (originating either from the field of culture or from the media), and in the context of thinking about emotions that participate in the aesthetic experience related to culture (art), ie media, it seems that with the standardized products of today?s world of culture and media, superficial emotionality, often equal to kitsch dominates our common aesthetic space. And if it is not about the aesthetic phenomena of kitsch, in general, a rational (managerial) approach to culture and media is at work, which almost completely replaces the emotional way of creating an aesthetic experience in our age.
美学、情感、文化和媒体
本文从原则上重新审视了情感在当代审美环境中的地位。说到我们的审美环境,我们将从两个相互渗透的观点来讨论它:第一个立场,乍一看,更广泛一些,关注美学关键中的文化领域,而第二个立场建立在前一个基础上,指的是所谓的。媒体文化。如果今天有可能将这两种思考审美体验的计划(源自文化领域或媒体领域),以及在思考参与与文化(艺术)有关的审美体验的情感的背景下,即媒体,似乎与今天的标准化产品?美国的世界文化和媒体,肤浅的情感,往往等于媚俗支配着我们共同的审美空间。如果不是关于媚俗的审美现象,总的来说,一种理性(管理)的文化和媒体方法正在起作用,它几乎完全取代了我们这个时代创造审美体验的情感方式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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