{"title":"Aesthetics, emotions, culture and media","authors":"Divna Vuksanović","doi":"10.2298/theo2202145v","DOIUrl":null,"url":null,"abstract":"The text re-examines, in principle, the status of emotions in the\n contemporary aesthetic environment. When it comes to our aesthetic\n environment - we will talk about it from two mutually pervasive points of\n view: the first position is, at first glance, somewhat broader and concerns\n the sphere of culture in the aesthetic key, while the second builds on the\n previous and refers to the so-called. media culture. If today it is possible\n to separate these two plans of thinking about aesthetic experience\n (originating either from the field of culture or from the media), and in the\n context of thinking about emotions that participate in the aesthetic\n experience related to culture (art), ie media, it seems that with the\n standardized products of today?s world of culture and media, superficial\n emotionality, often equal to kitsch dominates our common aesthetic space.\n And if it is not about the aesthetic phenomena of kitsch, in general, a\n rational (managerial) approach to culture and media is at work, which almost\n completely replaces the emotional way of creating an aesthetic experience in\n our age.","PeriodicalId":374875,"journal":{"name":"Theoria, Beograd","volume":"68 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Theoria, Beograd","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2298/theo2202145v","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
The text re-examines, in principle, the status of emotions in the
contemporary aesthetic environment. When it comes to our aesthetic
environment - we will talk about it from two mutually pervasive points of
view: the first position is, at first glance, somewhat broader and concerns
the sphere of culture in the aesthetic key, while the second builds on the
previous and refers to the so-called. media culture. If today it is possible
to separate these two plans of thinking about aesthetic experience
(originating either from the field of culture or from the media), and in the
context of thinking about emotions that participate in the aesthetic
experience related to culture (art), ie media, it seems that with the
standardized products of today?s world of culture and media, superficial
emotionality, often equal to kitsch dominates our common aesthetic space.
And if it is not about the aesthetic phenomena of kitsch, in general, a
rational (managerial) approach to culture and media is at work, which almost
completely replaces the emotional way of creating an aesthetic experience in
our age.