Sarat Chandra’s Women: An Anthropological Gendered Analysis of the Works of an Indian Writer of the Early Twentieth Century

S. Channa
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Abstract

Abstract The works of literary masters often encapsulate history and anthropology of their times. Of several doyens of colonial writers in Bengal, Sarat Chandra Chattopadhyaya is well known for mirroring the position of women and also drawing some strong sketches of women reflecting social issues as well as inequality and injustice meted out to them at that period of Bengal’s history. His empathetic concern for women and his keen insight into their minds has often been commented on and appreciated. This paper is concerned with his inter-subjective relationship with the questions of class and caste and how, he as a male member of upper caste and from a genteel background dealt with his innate caste and class concerns in constructing his women characters representing various strata of society.
萨拉特·钱德拉的女性:20世纪初印度作家作品的人类学性别分析
文学大师的作品往往浓缩了他们所处时代的历史和人类学。在孟加拉几十位殖民时期的作家中,萨拉特·钱德拉·查托帕德亚亚以反映女性的地位而闻名,他还画了一些强烈的女性素描,反映了孟加拉历史上那个时期女性所面临的社会问题以及不平等和不公正。他对女性的同情和对她们思想的敏锐洞察经常受到评论和赞赏。本文关注的是他与阶级和种姓问题的主体间关系,以及作为上层种姓的男性成员和来自绅士背景的他如何在塑造代表社会各阶层的女性角色时处理他与生俱来的种姓和阶级问题。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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