CanRock classroom: Two pre-service teachers’ experiences of a popular music pedagogy course in Canada

Adam Bell, Ryan Stelter, Kathleen Ahenda, Joseph Bahhadi
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引用次数: 4

Abstract

Research on popular music pedagogy tends to centre on teaching and learning practices related to school-aged students; less research has focused on the training of pre-service teachers. We present the perspectives of two pre-service teachers on their experiences taking the first iteration of a popular music pedagogy course at a university in Canada as part of their music education studies. The examination we present is limited to one site and two pre-service teachers’ perspectives, but focuses on some important themes including group dynamics, songwriting, integrating technology and learning popular music instruments. We begin by surveying some recent related literature on popular music pedagogy before outlining our purpose and method. Then, we detail the underpinning ‘informal learning’ ethos of the course and provide a course description. Finally, we present our findings on the two pre-service teachers’ experiences with the course and conclude with a brief discussion that contextualizes these results with related literature.
CanRock课堂:两位职前教师在加拿大流行音乐教学课程的经验
流行音乐教学法的研究趋向于关注与学龄学生相关的教与学实践;关注职前教师培训的研究较少。我们提出了两位职前教师的观点,他们在加拿大一所大学的流行音乐教学法课程的第一次迭代中,作为他们音乐教育研究的一部分。我们提出的考试仅限于一个地点和两个职前教师的观点,但侧重于一些重要的主题,包括团体动力学,歌曲创作,整合技术和学习流行乐器。在概述我们的目的和方法之前,我们首先调查了一些最近与流行音乐教学法相关的文献。然后,我们详细介绍了课程的基础“非正式学习”精神,并提供了课程描述。最后,我们介绍了两位职前教师在课程上的经验,并以一个简短的讨论结束,将这些结果与相关文献联系起来。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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