„Robert Schumann und Clara Wieck gegen Friedrich Wieck, Vater der Mitklägerin”. Zwischen Erwartungen und Liebe – zum Bild der Vater – Tochter Beziehung am Beispiel von Clara Schumann und Friedrich Wieck

Anna Jagłowska
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Abstract

Clara and Robert Schumann are the most famous nineteenth-century artistic couple. In the background of their life story there is, probably, the most famous dispute in music history: Clara Schumann's father, the ambitious piano teacher Friedrich Wieck, refused Schumann when the latter asked for the hand of his daughter. In the article, the author analyzes the correspondence between Clara and Robert as well as the letters to Clara’s father. They prove of the fight between the two men and illustrate Clara’s sensuality and variety of emotions, as well as present her self-strategy. The aim of this article is to describe the reasons for the conflict, based on their correspondence, court testimonies as well as their social and family background.
罗伯特·舒曼和克拉拉·魏克对阵弗里德里希·魏克共同被告的父亲建立在对父母的信任和爱之间的关系比如克拉拉·舒曼和弗里德里希·魏克
克拉拉和罗伯特·舒曼是19世纪最著名的艺术夫妇。在他们生活故事的背景中,可能有音乐史上最著名的争执:克拉拉·舒曼的父亲,雄心勃勃的钢琴教师弗里德里希·维克,拒绝了舒曼向他的女儿求婚。在这篇文章中,作者分析了克拉拉和罗伯特之间的通信以及她写给克拉拉父亲的信。他们证明了两个男人之间的斗争,说明了克拉拉的性感和各种情绪,并呈现了她的自我策略。本文的目的是根据他们的通信,法庭证词以及他们的社会和家庭背景来描述冲突的原因。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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