Artist Tradition of Java Islami in Surakarta In the Middle of Global Culture

A. I. Al-Ma’ruf, F. Nugrahani, Agus Wijayanto
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Abstract

The art of Javanese tradition in the era of globalization is increasingly backward due to the flood of global culture. However, in the Surakarta region the Javanese tradition art still exists. This research aims to describe the variety of Javanese Islamic art tradition in the Surakarta region. This research uses descriptive qualitative method. Data collection is done through observation techniques, in-depth interviews, and content analysis. Data analysis is done by Interactive method. The result of this research is the profile of Javanese Islamic tradition in Surakarta many varieties include: (1) Oral Tradition; (2) Tradition of Writing; (3) Music Art; (4) Traditional ceremonies; (5) Art. Oral traditions include (a) Praise to Allah and His customary Messenger at the time between the adhan and the iqama; (b) Sing dzikir/Wiridan after completion of worship; (c) Qiraah/Tilawatil Quran (The Art of Reading the Koran) which is commonly practiced when the beginning of a ceremony; (d) The reading of al-Barzanji’s verse of poetry which is usually done when the aqiqah ceremony is the seventh day of the birth; (e) Tadarrus al-Quran bin-Nazhar and bil-ghaib (reciting the Koran by looking at the Quran and without looking at the Quran / memorized books) that are commonly done at any time. 1
在全球文化的中心,雅加达的爪哇伊斯兰艺术传统
全球化时代爪哇传统艺术在全球文化的洪流中日益落后。然而,在泗水地区,爪哇传统艺术仍然存在。本研究旨在描述泗水地区爪哇伊斯兰艺术传统的多样性。本研究采用描述性定性方法。数据收集是通过观察技术、深度访谈和内容分析完成的。数据分析采用交互式方法。本研究的结果是爪哇伊斯兰教传统在泗水的概况,其多样性包括:(1)口头传统;(2)写作传统;(3)音乐艺术;(四)传统仪式;(5)艺术。口述传统包括(a)在阿丹节和伊卡玛节之间赞颂真主及其惯常的使者;(b)礼拜结束后唱dzikir/Wiridan;(c)诵读《古兰经》(诵读《古兰经》的艺术),通常在仪式开始时诵读;(d)诵读al-Barzanji的诗文,通常在出生的第七天举行aqiqah仪式时诵读;(e) Tadarrus al-Quran bin-Nazhar和bill -ghaib(通过看古兰经而不看古兰经/背诵书籍来背诵古兰经),通常在任何时候都这样做。1
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