Caged Bodies, Raging Minds, Dissident Voices: Alexandr Solzhenitsyn and Taslima Nasreen

Ananya Bhattacharyya
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Abstract

This paper aims to analyse the mental state of Taslima Nasreen and Alexandr Solzhenitsyn, writers that are primarily celebrated for their rich casket of fictional narratives, through poems written at a juncture in their lives when they were dealing with the pain of separation and displacement from home and country. As a consequence of defying their respective governments through their revolutionary writings, such a separation is accompanied by the loss of a stable identity. Although they do not share the socio-political context that resulted in exile, the commonly felt strains and fissures of exile have guided their perspectives through particularly intimate landscapes, so that it is possible to describe their poems’ meaning in a wholly decontextualised manner. They both are, in a way, separated from conventional contexts: exile is an alienating experience, and home, no longer homelike, is perhaps an even more estranging place.
禁锢的身体,愤怒的思想,不同的声音:亚历山大·索尔仁尼琴和塔斯利马·纳斯林
本文旨在分析塔斯利马·纳斯琳和亚历山大·索尔仁尼琴的精神状态,这两位作家主要以其丰富的虚构叙事而闻名,通过他们在生活的关键时刻所写的诗歌来处理与家园和国家分离和流离失所的痛苦。由于他们通过革命作品反抗各自的政府,这种分离伴随着稳定身份的丧失。虽然他们没有分享导致流亡的社会政治背景,但流亡的普遍感受压力和裂缝引导他们的视角通过特别亲密的景观,因此有可能以完全脱离语境的方式描述他们的诗歌的意义。在某种程度上,它们都与传统语境分离:流亡是一种疏远的经历,而不再像家一样的家,可能是一个更疏远的地方。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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