MİMARİ CEPHELER VE HEYKEL SANATI ETKİLEŞİMİ; SEÇKİN PİRİM ÖRNEĞİ

Abstract

In the most general sense, architecture is about limiting space and giving functionality. However, although the art of sculpture has preserved its original existence since ancient times, it has also been associated with architecture in many periods. It is seen that the boundaries between architecture and sculpture begin to disappear with the area they are located in. Modernity has brought with it many innovations, both architecture and sculpture disciplines have undergone dizzying changes, their definitions have increased and they have entered into each other's problematic areas. It is known that architectural products are concrete expression items that are affected by physical phenomena, cultural, socio-economic conditions and concepts such as language, religion and culture. The first place a building product communicates with its environment is the building's façade. The façade serves the users and the community by creating internal and external boundaries within the overlap. The transformation of architecture, which affects people, life and the environment from the past to the present, is a long process from the transformation of the facade to the design surface, from the nomadic life to the present, shaped by technology in the information age. Today, the concept of the facade has changed and has become an interface that completely surrounds the building, without front, back, left and right. In this study, while evaluating the renovation process of architectural facades, it deals with the construction technology and aesthetic features of the buildings in the historical process and determines the breaking points. Research; It aims to evaluate the development of the façade as an interface rather than the exterior of the building and the transformation of hierarchy, design and fiction in architecture from a historical perspective. In the conclusion part, the discussions made and written at the intersection of sculpture-architecture were examined, and the design of the sculptor Seçkin Pirim on an architectural structure was examined as an example. In this direction, sculpture-architecture interactions of avant-garde and innovative artists are examined and their products are discussed.