S.P. SHEVYREV ABOUT THE LAUGHTER IN RUSSIAN LITERATURE

A. Nikolyukin
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Abstract

For the first time the topic of laughter in Ancient Russia was voiced in an article by S.P. Schevyrev “The Theory of the Ridiculous, with Application to Russian Comedy” (1851) and in his book “History of Russian Literature” (1846-1860), where he completely opened ancient Russian literature to the reader. In this book the notion of laughter comes through as one of the permanent features of Old Russian and modern Russian literature. Shevyrev calls Daniil Zatochnik (12th century), the master of “weeping laughter and smiling sadness”, the first Russian humorist and compares the lucid laughter of Gogol with Daniil’s humor and laughter. All Russian comedies (by Fonvizin, Griboedov, Gogol) Shevyrev considers as phenomena of funny, bright laughter. This is directed against the old tendency in literary studies to see in every great comedy first of all a satire, a denunciation. In the works of Shevyrev the concept of laughter was expressed by the word “funny”.
S.p.舍维列夫谈俄国文学中的笑
在S.P.舍维列夫的一篇文章《荒谬理论及其在俄罗斯喜剧中的应用》(1851)和他的《俄罗斯文学史》(1846-1860)中,第一次提出了古代俄罗斯的笑声这个话题,他在这本书中完全打开了古代俄罗斯文学的大门。在这本书中,笑的概念作为古俄罗斯和现代俄罗斯文学的永恒特征之一而出现。舍维列夫称“哭泣的笑声和微笑的悲伤”大师丹尼尔·扎托尼克(12世纪)为俄罗斯第一位幽默作家,并将果戈理的清晰笑声与丹尼尔的幽默和笑声进行了比较。舍维列夫认为所有的俄国喜剧(丰维津、格里勃多夫、果戈里)都是有趣的、欢快的笑声。这是为了反对文学研究中的一种老倾向,即在每一部伟大的喜剧中首先看到讽刺和谴责。在舍维列夫的作品中,笑的概念是用“funny”这个词来表达的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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