A Patterned Acupuncture

Pavel Ul'iashov
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Abstract

Whenever one remembers or reads Mayakovsky, one is struck and convinced, apart from the social significance of his themes and the civic spirit of his verse, by the poet's passion and emotional intensity. "I'll yank out my soul for you, stamp on it so it'll be big! – and I'll give it to you all bloody like a flag!" The spiritual saturation of the verse with what has been experienced, words as blood, is perhaps the main thing for the poet. Mayakovsky has quite a few inspired poems about this, as do also, for that matter, his contemporaries – Esenin, Bagritskii, and Tikhonov…. "To be a poet…is to caress others' souls with the blood of feeling" are words justified by the life and death of their author. Yes, in speaking of the Mayakovskian traditions, we must also consider the experience of another poet, dialectically linked to him, that of Esenin. In him, too, the civic impulse is clear (it's enough to recall his narrative poems, The Song of the Great March [Pesn' o velikom pokhode], The Poem about 36 [Poema ...
有模式的针灸
每当一个人想起或阅读马雅可夫斯基时,除了他的主题的社会意义和诗歌的公民精神外,他还被诗人的激情和情感的强烈所打动和说服。“我要把我的灵魂掏出来给你,在上面盖个章,让它变得很大!”——我要把它像一面旗帜一样给你!”诗歌的精神饱和与所经历的,文字如血,也许是诗人的主要事情。马雅可夫斯基有不少关于这方面的诗歌,他的同时代人——叶谢宁、巴格里茨基和吉洪诺夫....也有“做一个诗人……就是用感情的血液去爱抚别人的灵魂”,这句话被作者的生死证明是正确的。是的,在谈到马雅可夫斯基的传统时,我们也必须考虑另一位诗人的经验,与他辩证地联系在一起,即叶谢宁的经验。在他身上,公民的冲动也很明显(这足以让我们回想起他的叙事诗,《大进行曲》,《关于三十六岁的诗》……
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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