Trying to read: the "In Memorian" artwork

M. Alonso, B. Costa, L. Ribeiro, M. Steagall
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Abstract

In this presentation we will analyze the multimedia artwork In Memorian, 2021, from the Research Group Realidades (School of Communication and Arts of University of São Paulo, ECA-USP, Brazil). The artwork is a web art that deals with the visualization of data from the coronavirus pandemic in Brazil. These data are appropriated from online databases and it works as the rule of loss of information from 1988’s Brazilian Federal Constitution, Title II - Of Fundamental Rights and Guarantees. The text is fragmented proportionally to Brazilian population and, then, loses its information, pixel by pixel, according to the daily number of deaths by covid-19 in the country. The authors of this presentation are members of the Realidades Group, thus, this analysis will be filled with our creative processes, poetic motivations and the development phases of the artwork. In Memorian exposes the precarious situation of the democratic rights guaranteed by the mentioned article of the Brazilian constitution. Brazil couldn't control covid-19 pandemic. Researches pointed out that it was due to a series of omissions and failures by public managers, mainly the federal government. However, the democratic rights have been under attack for longer. Brazil’s political scene has become dominated by openly conservative, "anti-politics" and "anti-science" wills, quite driven by desinformation and fake news. And all these relationships are fundamental to the development of the work. It seeks to materialize and illustrate hundreds of thousands of deaths in order to make visible the colossal size of human loss. The amount of deaths shatter the black words over the white background, damaging the text and making the reading more difficult. On the work’s website, the text is exhibited in perspective and can be vertically scrolled. It also contains an interactive ruler that shows the Brazilian daily and total number of deaths, enabling the interactor to move across the timeline. The visual character of a ‘monument for the dead’ complaints the governmental negligence that causes this amount of suffering, actions that must not be simply forgotten. In addition, it points out the need for more transparency of covid’s diagnosis and deaths registration and comments on the alarming political scenario that surrounds the sanitary crisis. Furthermore, this artwork is a data visualization piece, which is a very much explored technique used by multimedia artists. We will address its usage to enhances the visibility of things that are often hard to see. We will show another similar artwork in theme, 'Inumeráveis”, 2020, created by a collective of volunteer artists and journalists. Claiming that "alive or dead, we will never be [just] a number", the site is an online monument that features shared stories about the victims, giving individuality to each of them. In Memorian was in the online exhibition EmMeio#13 associated with the Panoramas 2021 event. Additionally, we point out its interaction in different social networks and its own numerical and online nature. The pandemic crisis in Brazil and around the world is not a past reality, still claiming countless lives. Unfortunately, the artwork remains operational.
试图阅读:“In Memorian”艺术作品
在本次演讲中,我们将分析Realidades研究小组(巴西圣保罗大学传播与艺术学院,ECA-USP)的多媒体艺术作品《In memororian》,2021。该作品是一种网络艺术,处理巴西冠状病毒大流行数据的可视化。这些数据是从在线数据库中挪用的,它是1988年巴西联邦宪法第二章-基本权利和保障中的信息丢失规则。该文本按巴西人口的比例分割,然后根据该国每天因covid-19死亡的人数逐像素丢失信息。本次展示的作者是Realidades集团的成员,因此,这个分析将充满我们的创作过程,诗意的动机和艺术作品的发展阶段。《备忘录》揭露了巴西宪法上述条款所保障的民主权利的不稳定状况。巴西无法控制covid-19大流行。研究指出,这是由于公共管理者的一系列疏忽和失败,主要是联邦政府。然而,民主权利受到攻击的时间更长。巴西的政治舞台已经被公开保守的、“反政治”和“反科学”的意志所主导,这在很大程度上是由虚假信息和假新闻所驱动的。所有这些关系都是作品发展的基础。它试图将数十万人的死亡具体化并加以说明,以便使人们看到人类损失的巨大规模。大量的死亡打破了白色背景上的黑色文字,破坏了文本,使阅读变得更加困难。在作品的网站上,文字以透视的方式展示,可以垂直滚动。它还包含一个交互式标尺,显示巴西每日死亡人数和总死亡人数,使互动者能够在时间线上移动。“死者纪念碑”的视觉特征是抱怨政府的疏忽造成了如此多的痛苦,这些行为绝不能被简单地忘记。此外,报告还指出,需要提高covid诊断和死亡登记的透明度,并就围绕卫生危机的令人担忧的政治局面发表了评论。此外,这件作品是一件数据可视化作品,这是多媒体艺术家使用的一种非常探索的技术。我们将讨论它的用法,以增强通常难以看到的事物的可见性。我们还将展出另一件类似的主题作品“Inumeráveis”,2020年,由一群志愿者艺术家和记者创作。该网站声称“活着或死去,我们永远不会只是一个数字”,它是一个在线纪念碑,以受害者的故事为特色,赋予他们每个人个性。在《记忆》中,EmMeio#13在线展览与全景2021活动相关。此外,我们指出了它在不同社交网络中的互动以及它自己的数字和在线性质。巴西和世界各地的大流行危机并不是过去的现实,仍在夺去无数人的生命。不幸的是,艺术品仍然可以使用。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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