«Двуликий Янус» социокультурной кодификации

A. V. Babaeva
{"title":"«Двуликий Янус» социокультурной кодификации","authors":"A. V. Babaeva","doi":"10.31312/2310-1245-2022-52-9-20","DOIUrl":null,"url":null,"abstract":"The article analyzes the transformations in the cultural space that have occurred over the past decade. Special attention is paid to the concept of \"code\". The author examines the process of including this concept in scientific discourse. Draws attention to the fact that, despite the \"vagueness\" of this concept, it has been actively used in the process of distinguishing cultures since the second half of the twentieth century. The socio-cultural code is presented in the form of a system of certain rules, with the help of which the semantic content of the sign systems of a particular cultural space is revealed. Special attention is paid to the \"layering\" of cultural codes. The process of differentiation between \"Own\" and \"Others\" is demonstrated using the \"inner\" meaning included in the socio-cultural code. The ability to \"read\" the \"hidden\" in the cultural code made it possible to form a deeper understanding of socio-cultural identity. The article provides a brief analysis of the changes that have occurred in the cultural space of modern Russian society. Perception patterns, languages, forms of reproduction and exchange have changed before the eyes of one generation. The development of digital technologies led to the \"explosion\" of mass communication, which absorbed and dissolved any singularity, replaced the word with a picture. The expansion and growth of information, its endless extension begins to simulate meanings. The icon, the icon ceases to carry a layering. The effect of the picture is aimed at experiencing, not thinking. The author emphasizes that the changes that have taken place have led to transformations in the \"encoding-decoding\" system. Modern sociocultural codes are gradually losing their \"hidden\" meaning, becoming one-dimensional. Increasingly, the codification process resembles the principle of computer code, when everything \"superfluous\" is excluded from the scale of assessments and actions. In such a situation, the world begins to be evaluated only with the help of binary code as \"good and bad\".","PeriodicalId":224299,"journal":{"name":"Studia Culturae","volume":"11 12 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-01-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Studia Culturae","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.31312/2310-1245-2022-52-9-20","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

Abstract

The article analyzes the transformations in the cultural space that have occurred over the past decade. Special attention is paid to the concept of "code". The author examines the process of including this concept in scientific discourse. Draws attention to the fact that, despite the "vagueness" of this concept, it has been actively used in the process of distinguishing cultures since the second half of the twentieth century. The socio-cultural code is presented in the form of a system of certain rules, with the help of which the semantic content of the sign systems of a particular cultural space is revealed. Special attention is paid to the "layering" of cultural codes. The process of differentiation between "Own" and "Others" is demonstrated using the "inner" meaning included in the socio-cultural code. The ability to "read" the "hidden" in the cultural code made it possible to form a deeper understanding of socio-cultural identity. The article provides a brief analysis of the changes that have occurred in the cultural space of modern Russian society. Perception patterns, languages, forms of reproduction and exchange have changed before the eyes of one generation. The development of digital technologies led to the "explosion" of mass communication, which absorbed and dissolved any singularity, replaced the word with a picture. The expansion and growth of information, its endless extension begins to simulate meanings. The icon, the icon ceases to carry a layering. The effect of the picture is aimed at experiencing, not thinking. The author emphasizes that the changes that have taken place have led to transformations in the "encoding-decoding" system. Modern sociocultural codes are gradually losing their "hidden" meaning, becoming one-dimensional. Increasingly, the codification process resembles the principle of computer code, when everything "superfluous" is excluded from the scale of assessments and actions. In such a situation, the world begins to be evaluated only with the help of binary code as "good and bad".
本文分析了近十年来文化空间发生的变化。特别注意的是“代码”的概念。作者考察了将这一概念纳入科学话语的过程。提请注意的事实是,尽管这一概念“模糊”,但自20世纪下半叶以来,它一直被积极用于区分文化的过程。社会文化符码以一定的规则系统的形式呈现,借助这些规则,特定文化空间的符号系统的语义内容得以揭示。特别注意的是文化代码的“分层”。“自己”和“他者”的分化过程通过社会文化符码中包含的“内在”含义进行论证。“阅读”文化密码中“隐藏”的能力,使得对社会文化认同形成更深层次的理解成为可能。本文简要分析了近代俄罗斯社会文化空间发生的变化。感知模式、语言、再生产和交换的形式在一代人的眼前发生了变化。数字技术的发展导致了大众传播的“爆炸”,它吸收并消解了任何奇点,用图片代替了文字。信息的膨胀和增长,其无穷无尽的延伸开始模拟意义。图标,图标不再有层次感。画面的效果是为了体验,而不是思考。作者强调,已经发生的变化导致了“编-解码”系统的转变。现代社会文化规范正逐渐失去其“隐含”意义,变得单向度化。编纂过程越来越象计算机编码的原则,所有“多余”的东西都被排除在分摊比额表和行动之外。在这种情况下,世界只能在二进制代码的帮助下被评估为“好与坏”。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 求助全文
来源期刊
自引率
0.00%
发文量
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:604180095
Book学术官方微信
小红书