The Law

Abstract

This chapter discusses the way Dante’s major works, like Monarchia and Convivio, articulate a strong and complex interrelation among religious, political, and legal concepts. Dante’s Commedia, too, is a universal masterpiece whose literary-theoretical framework is simultaneously and manifestly a legal one. Dante the political philosopher as well as Dante the poet fully assimilated the legal culture of his century. He was not a canonist or a jurist either, even though he quoted canon and Roman law everywhere, castigating papal decretals and the decretalists in the harshest terms but also following some traditional lines of legal thought. Indeed, the legal maxims quoted by Dante are one with the structure of his discourse and argumentation, even when Dante follows closely precise legal enunciations of the sources, showing how phrases from the texts of the Corpus iuris civilis or of the Corpus iuris canonici had become part of general educated discourse among non-lawyers.