K-Pop as a Means to an End among Thai Youth: Korean Wave as Costume, Food, and Image

K. Howard, Great Lekakul
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引用次数: 3

Abstract

Assessments of the impact of K-pop beyond Korea, and of other aspects within the broader Korean Wave, often focus on groups of fans. The research reported here began from an intention to move beyond fandom, encouraged by a challenge to demonstrate that members of the British Thai community, aware of their heritage in Southeast Asia but growing up in the eclectic cultural mix of contemporary Britain, were interested in K-pop. We respond to academic literature on popular culture, on specialized music and dance training, and on the musical tastes of diasporic groups, by working with teenagers and students who study and perform Thai classical music and dance in two organizations, the Thai Music Circle in the UK and the Thai Dance Academy. We present the results of a survey, and contextualize our findings by exploring recent Thai literature and television programs about Korean Wave and K-pop. ARTICLE HISTORY Received 10 August 2018 Revised 24 September 2018 Accepted 30 September 2018
韩国流行音乐在泰国青年中作为一种手段:韩流作为服装、食物和形象
对K-pop在韩国以外的影响的评估,以及对更广泛的韩流的其他方面的评估,往往集中在粉丝群体上。这里报道的这项研究的初衷是想超越粉丝圈,并受到一项挑战的鼓舞,即证明英籍泰国社区的成员对韩国流行音乐感兴趣,他们知道自己在东南亚的传统,但在当代英国折衷主义的文化混合中长大。我们对流行文化、专业音乐和舞蹈培训以及流散群体的音乐品味方面的学术文献做出回应,通过与两个组织(英国的泰国音乐圈和泰国舞蹈学院)中学习和表演泰国古典音乐和舞蹈的青少年和学生合作。我们提出了一项调查的结果,并通过探索最近有关韩流和K-pop的泰国文学和电视节目来将我们的发现置于背景中。文章历史2018年8月10日收稿2018年9月24日修订2018年9月30日接受
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