Widows and the Romance of Grief

Megan Moore
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Abstract

This chapter investigates how emotional and gender practices entwine to articulate the contours of the story of noble privilege. It looks closely at Chrétien de Troyes's Erec et Enide and his Yvain to explore the relation between grief, gender, and narration in romance. While the chapter reveals much about how gender operates and what it does, it argues that is not simply about aligning grief and suffering with the feminine. Often read as objects of men's desire, widows like Enide are also desirable because women's mourning entails narrative. The chapter discusses grief as a kind of storytelling, one eroticized as it narrates power for the powerful. It seeks to answer the questions such as, whose feelings may be expressed, whose feelings matter? Who can practice desire beyond the bounds of the law?
寡妇和悲伤的浪漫
这一章研究了情感和性别实践是如何纠缠在一起的,以阐明贵族特权故事的轮廓。它仔细研究了克莱斯汀·德·特鲁瓦的《埃里克和埃尼德》和《伊文》,探讨了悲伤、性别和浪漫故事叙事之间的关系。虽然这一章揭示了性别是如何运作的,以及它的作用,但它认为,这不仅仅是将悲伤和痛苦与女性结合起来。像Enide这样的寡妇通常被认为是男人的欲望对象,也是可取的,因为女人的哀悼需要叙述。这一章把悲伤作为一种讲故事的方式来讨论,当它为有权势的人讲述权力时,它被色情化了。它试图回答这样的问题,比如,谁的感情可以表达,谁的感情重要?有谁能在律法以外行私欲呢?
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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