„Połniejszyj bardak i untiergang”. O degeneracji w literaturze (z nieustającym odniesieniem do Maxa Nordaua)

Eliza Kącka
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Abstract

The article deals with the topic of degeneration, thereby bringing back the name Max Nordau for reflection on the literature of the late nineteenth and early twentieth century. Nordau’s writings are not, however, the subject of autonomous reflection or ideological reconstruction here. The aim is to present a model of the attitude stigmatizing everything that the author of Entartung considered a disease. Branding literature and art as degenerate meets with the crisis of the late nineteenth century – partly envisaging this crisis, partly aggravating it. In this perspective – tracing the signs of degeneration not following Nordau, but referring to his diagnoses – I read selected works of H.G. Wells, Wacław Berent, Jerzy Żuławski, and Stanisław Ignacy Witkiewicz. The theme of degeneration itself is differently functionalized and metaphorized in their writings. Common for them appears to be a pessimistic attitude to evolution as in fact involution, increasing morbidity, bestiality, misfortune.
这篇文章讨论了退化的话题,从而带回了麦克诺道这个名字,以反思19世纪末和20世纪初的文学。然而,诺道的作品在这里并不是自主反思或意识形态重建的主题。其目的是呈现一种将《Entartung》的作者认为是疾病的一切都污名化的态度模式。给文学和艺术贴上堕落的标签,与19世纪晚期的危机相遇——部分是在设想这场危机,部分是在加剧这场危机。从这个角度来看——不是跟随诺道,而是参考他的诊断——我阅读了h·g·威尔斯、Wacław贝伦特、耶日Żuławski、andStanisław伊格纳齐·维特凯维奇的作品选集。堕落这个主题本身在他们的作品中有着不同的功能化和隐喻化。他们普遍对进化持悲观态度,认为进化实际上是退化、发病率上升、兽交和不幸。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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