{"title":"Reading Belarus: The Evolving Semiosis of Belarusian Textiles","authors":"A. M. LaVey","doi":"10.30965/20526512-12350011","DOIUrl":null,"url":null,"abstract":"\nThis paper analyses the communicative features of traditional Belarusian textiles and embroidery, exploring their history and their use as cultural code from the earliest times to the present. Using cultural semiotic analysis, the article highlights the evolving statements textiles make in regard to contemporary Belarusian culture, with specific attention being paid to the use of textiles in the months surrounding the 2020 presidential election and its aftermath, as well as engaging current fashion design. This paper, combating ideas of Belarusian invisibility, brings to light how textiles are and continue to be symbols and visual expressions of Belarusian cultural identity, and will be useful to scholars and students in the fields of art history, Belarusian studies, cultural studies, semiotics, Slavistics, and textile, costume and fashion studies.","PeriodicalId":277512,"journal":{"name":"Journal of Belarusian Studies","volume":"27 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-10-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Belarusian Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.30965/20526512-12350011","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 2
Abstract
This paper analyses the communicative features of traditional Belarusian textiles and embroidery, exploring their history and their use as cultural code from the earliest times to the present. Using cultural semiotic analysis, the article highlights the evolving statements textiles make in regard to contemporary Belarusian culture, with specific attention being paid to the use of textiles in the months surrounding the 2020 presidential election and its aftermath, as well as engaging current fashion design. This paper, combating ideas of Belarusian invisibility, brings to light how textiles are and continue to be symbols and visual expressions of Belarusian cultural identity, and will be useful to scholars and students in the fields of art history, Belarusian studies, cultural studies, semiotics, Slavistics, and textile, costume and fashion studies.