The Past as a Strategic Branding Resource: A Case Study of Jay Chou, a Successful Chinese Music Artist

Zhiyan Wu, Janet Borgerson
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Abstract

We explore a Chinese-styled aesthetic representational branding process, illuminating potential insights into interconnections between art, branding, and consumption in conjunction with processes of aesthetic representation. Interviews with Chinese entrepreneurs reveal concern around Chinese brands’ internationalization, particularly concerning retail strategy. Chinese export brands lack privileged positions in competition with prominent global brands. This paper sheds light on Chinese resources to address these needs by presenting the case of Jay Chou, a prominent Chinese music artist. As Eckhardt and Bengtsson (2007) suggest in the Chinese case it may be productive to engage the past as a strategic brand-signifying practice in a contemporary marketing regime. We investigate permutations of Chinese culture and ideology by linking consumer research and the production and consumption of images with Chinese traditions and artistic conventions of aural and visual perceptions. Thus, cultural issues around Chinese historical and traditional arts are brought into contemporary consumer research.
作为品牌战略资源的“过去”——以中国成功音乐艺人周杰伦为例
我们探索了中国风格的美学表征品牌过程,阐明了艺术、品牌和消费之间相互联系的潜在见解,并结合美学表征过程。对中国企业家的采访揭示了他们对中国品牌国际化,尤其是零售战略的关注。中国出口品牌在与全球知名品牌的竞争中缺乏优势地位。本文通过介绍中国著名音乐艺术家周杰伦的案例,揭示了中国解决这些需求的资源。正如Eckhardt和Bengtsson(2007)所建议的那样,在中国的案例中,在当代营销制度中,将过去作为战略品牌意义实践可能是富有成效的。我们通过将消费者研究、图像的生产和消费与中国传统和听觉和视觉感知的艺术惯例联系起来,研究中国文化和意识形态的排列。因此,围绕中国历史和传统艺术的文化问题被纳入当代消费者研究。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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