‘For Whom There Is Hope’: Imagining Freedom in Selected Post-apartheid South African Fiction

Abstract

Following the election of Nelson Mandela as the first black president of South Africa and the formation of the first majority government of the African National Congress (ANC) in 1994, it was generally assumed that new bonds between South Africa’s white and black races would be forged and a new economic and social order would be established. Hence, the new government promised to lead the transition towards an all-inclusive society that would be a reflection of the linguistic, ethnic and cultural diversity of the country. This larger dream was enshrined, in part, in the formation of the Truth and Reconciliation Commission (TRC) that was expected to provide a sense of moral and ethical direction for the country. This article interrogates K. Sello Duiker’s The Quiet Violence of Dreams (2001), Phaswane Mpe’s Welcome to Our Hillbrow (2001), Zakes Mda’s The Madonna of Excelsior (2007) and J.M. Coetzee’s Disgrace (1999) to uncover the extent to which the different races and classes aspire towards a hopeful and inclusive ‘non-racial’ ethical future. Reading the Rainbow nation alongside its images of nation building and inclusive development, this article builds upon dominant national symbols that portray social, economic, cultural and political reforms in the country. The four texts are evaluated on the basis of the suggested intimated freedoms in those for ‘whom there is hope’ in the ‘new’ South Africa. Locating the place of ethics in contemporary South African literature, the article interrogates the images of the ‘new’ nation and the dominant tropes of sympathy, reconciliation, friendship, forgiveness, and nation building as espoused in the four post-apartheid novels. The article further evaluates the interactions between the different racial and ethnic groups forging forward a collective multicultural nationhood in the present moment.