The Image of Bluebeard in the Age of Symbolism

Olga S. Pospelova
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Abstract

The article examines the symbolics in the play “Ariana and Bluebeard, or Vain Deliverance” (1896) by the Belgian writer Maurice Maeterlinck and in the libretto “Duke Bluebeard’s Castle” by the Hungarian writer Béla Balazs (1911). There is a transformation of the Bluebeard story from folklore to the field of symbolist and neo-romantic literature, where it undergoes significant changes, being transformed into a “new age myth.”
象征主义时代的蓝胡子形象
本文考察了比利时作家莫里斯·梅特林克(Maurice Maeterlinck)的戏剧《阿利安娜和蓝胡子,或徒劳的拯救》(1896)和匈牙利作家巴拉兹(b la Balazs)的剧本《蓝胡子公爵的城堡》(1911)中的象征符号。蓝胡子故事从民间传说到象征主义和新浪漫主义文学领域的转变,经历了重大变化,转变为“新时代神话”。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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