For the Nation and the World: Malcolm Cowley, the Making of American Literature and the Cultural Cold War

IF 0.3
H. Bak
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引用次数: 0

Abstract

In this essay I examine the extent to which Malcolm Cowley’s mid-century efforts on behalf of ‘the making of American literature’ – as critic, editor, publisher’s advisor and literary gatekeeper – dovetailed with the aims of U.S. cultural diplomacy and (wittingly or unwittingly) played a part in the ‘cultural Cold War’. I analyze in particular ‘American Books Abroad’, Cowley’s concluding chapter to Literary History of the United States (1948), and examine his role as guest editor and critic of the Autumn 1953 issue of Perspectives USA, a quarterly launched by James Laughlin of New Directions and funded by the Ford Foundation. The latter aimed to correct a widespread European perception of American culture as imperialist and steeped in mass entertainment, by demonstrating it was at least as highbrow and distinguished as the best of Europe – and an effective beacon of individual freedom against totalitarian communism.
《为了国家与世界:马尔科姆·考利,美国文学的形成与文化冷战》
在这篇文章中,我考察了马尔科姆·考利作为评论家、编辑、出版商顾问和文学看门人,在多大程度上代表“美国文学的形成”,与美国文化外交的目标相吻合,并(有意或无意地)在“文化冷战”中发挥了作用。我特别分析了考利在《美国文学史》(1948)的最后一章“海外美国书籍”,并考察了他作为《美国展望》1953年秋季刊的客座编辑和评论家的角色。《美国展望》是由新方向的詹姆斯·劳克林创办的季刊,由福特基金会资助。后者旨在纠正欧洲人对美国文化的普遍看法,即美国文化是帝国主义的,沉浸在大众娱乐中,证明美国文化至少与欧洲最好的文化一样高雅和杰出,是反对极权主义共产主义的个人自由的有效灯塔。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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