Carrying the Nest: (Re)writing History Through Embodied Research

Nilüfer Ovalıoğlu Gros
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引用次数: 3

Abstract

This video article describes the embodied research conducted whilst creating the video performance Carrying her; where various meditation techniques serve to confront the taboo history of the Armenian Genocide that reached its climax in 1915–16 in my homeland, Turkey. I instrumentalize my experience living in a two-century old stone house in the city of Mardin, in the Syrian frontier of Turkey, to reconsider the historical wound felt in the collective utterances of the region. Chants, lamentations, lullabies, testimonies, myths and tales guide me through the history embodied in Southeast Turkey and urge my journey to France where I re-discover the wound through sonorities of the Armenian Diaspora. My pregnancy opens a space to reflect upon women’s experience of the genocide, translating the corporal phenomenon of being pregnant to the reality of the exiled through the notion of carrying. The sonic universe reclaimed in the diaspora revives my memory of the land in its lullabies. To reclaim the diversity lost from my homeland, I create a soundscape that employs diverse sonorities of Southeast Anatolia. Complemented by the soundscape, the video performance composes my agit, my lament for the people exiled and massacred.
搬运巢:(再)通过具身研究书写历史
这篇视频文章描述了在创作视频表演《载着她》时所进行的具身研究;在那里,各种冥想技巧用来面对亚美尼亚种族灭绝的禁忌历史,1915年至1916年,在我的祖国土耳其达到了顶峰。我利用我在土耳其叙利亚边境马尔丁市一座有两个世纪历史的老石头房子里的生活经历,重新思考该地区集体话语所感受到的历史创伤。圣歌、哀歌、摇篮曲、证词、神话和故事引导我穿越土耳其东南部的历史,并促使我前往法国,在那里我通过亚美尼亚侨民的声音重新发现伤口。我的怀孕为反思女性在种族灭绝中的经历打开了一个空间,通过怀孕的概念将怀孕的肉体现象转化为流亡的现实。散居他乡的声音世界在它的摇篮曲中唤起了我对这片土地的记忆。为了恢复我家乡失去的多样性,我创造了一个音景,使用了安纳托利亚东南部的各种声音。在声景的配合下,视频表演构成了我的悲伤,我对那些被流放和屠杀的人们的哀悼。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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