{"title":"Lesbian Camp and the Queer Archive: Angela Steidele’s Rosenstengel: Ein Manuskript aus dem Umfeld Ludwigs II. (2015)","authors":"Heidi M. Schlipphacke","doi":"10.3726/lfl.2019.02.06","DOIUrl":null,"url":null,"abstract":"Abstract Angela Steidele’s 2015 epistolary novel Rosenstengel: Ein Manuskript aus dem Umfeld Ludwigs II presents a queer archive via partially fictional letters from and about Ludwig II and the cross-dressing lesbian Catharina Margaretha Linck, who lived more\n than 100 years before the Bavarian king. Steidele’s novel highlights the marriage of materiality and fantasy within the queer archive, engaging a mode of Camp aesthetics that always points to the gap between the material/real and fantasy. What is more, it is lesbian Camp, an undertheorized\n concept, that shapes and structures Steidele’s novel, even those portions concerned with the homosexually-inclined King Ludwig. The unrepresentability of lesbian desire surfaces in the novel as textual gaps that connote both a joke and loss, underscoring the affective complexity of the\n queer archive.","PeriodicalId":280788,"journal":{"name":"Literatur für Leser","volume":"36 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Literatur für Leser","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3726/lfl.2019.02.06","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
Abstract Angela Steidele’s 2015 epistolary novel Rosenstengel: Ein Manuskript aus dem Umfeld Ludwigs II presents a queer archive via partially fictional letters from and about Ludwig II and the cross-dressing lesbian Catharina Margaretha Linck, who lived more
than 100 years before the Bavarian king. Steidele’s novel highlights the marriage of materiality and fantasy within the queer archive, engaging a mode of Camp aesthetics that always points to the gap between the material/real and fantasy. What is more, it is lesbian Camp, an undertheorized
concept, that shapes and structures Steidele’s novel, even those portions concerned with the homosexually-inclined King Ludwig. The unrepresentability of lesbian desire surfaces in the novel as textual gaps that connote both a joke and loss, underscoring the affective complexity of the
queer archive.