Сreative potential of metaphor in the cycle of stories by Hryhor Tiutiunnyk «Steppe Tale»

Olena Turchak
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Abstract

The article presents a comprehensive analysis of metaphors in Hryhor Tiutiunnyk’s short story cycle «Steppe Tale». The classification of metaphors is considered according to the partial language affiliation, the way of formation and existence and the structure. It was established that from the point of view of partial linguistic affiliation, verbal and adverbial metaphors are most often used. Adjective metaphors are used less often, noun metaphors are also not marked by frequency of use. Adverbial metaphors mostly complement verbal metaphors. Such an interaction between two types of metaphors is evidence that metaphor should be considered as a phenomenon of syntactic semantics, which makes it possible to trace the formation of metaphorical meaning within the context due to the successful combination of words. According to the method of formation and existence, fixed, individually authored and conceptual metaphors function. Metaphors form a content integrity, and the combination of their meanings actualizes the figurative and associative plan. From the point of view of structure, simple metaphors prevail, but complex ones are not inferior to them quantitatively. A simple metaphor is based on a simple comparison, i.e., the convergence of images is based on one feature. A complex metaphor describes a concept using a combination of images or primary metaphors. A detailed metaphor deserves special attention, in which the carrier of the metaphorical image is a whole complex of associatively connected words. The text-creative role of the developed metaphor is most noticeable primarily in the linguistic design of the text, in its semantic expansion and in the realization of the pragmatic task of the text. Peculiarities of the use of metaphors and their pictorial and expressive possibilities were also studied. To achieve the goal and solve the tasks, the following methods were used: the method of analyzing scientific and theoretical sources, the method of contextual analysis, and the method of continuous sampling.
Сreative隐喻在Hryhor Tiutiunnyk«草原故事»故事循环中的潜力
本文对蒂乌廷尼克的短篇小说集《草原故事》中的隐喻进行了全面分析。隐喻的分类是根据隐喻的部分语言关系、形成方式和存在方式以及隐喻的结构来考虑的。从部分语言联系的角度来看,言语隐喻和状语隐喻是最常用的。形容词隐喻的使用频率较低,名词隐喻的使用频率也不明显。状语隐喻主要是对言语隐喻的补充。这种两类隐喻之间的相互作用证明了隐喻应该被视为一种句法语义现象,这使得我们有可能在语境中追踪由于词语的成功组合而形成的隐喻意义。根据形成和存在的方法,固定的、个人创作的和概念的隐喻起着作用。隐喻构成了一个内容的整体,其意义的结合实现了隐喻和联想的计划。从结构的角度来看,简单的隐喻占上风,但复杂的隐喻在数量上并不逊色。一个简单的隐喻是基于一个简单的比较,即图像的收敛是基于一个特征。复杂隐喻是用意象或原始隐喻的组合来描述一个概念。具体的隐喻尤其值得注意,隐喻形象的载体是一个由关联词构成的整体综合体。发达隐喻的语篇创造作用主要体现在语篇的语言设计、语义扩展和语篇语用任务的实现等方面。本文还研究了隐喻使用的特殊性及其在图像和表达方面的可能性。为了实现目标和解决任务,使用了以下方法:分析科学和理论来源的方法,上下文分析的方法和连续抽样的方法。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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